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孤舟獨坐 山川獨言

不拘泥單一形體的表現,ARTEPOZA 的藝術家在一百零五個瓷盤畫布上,以中國山水畫的創作方式,帶出「 山川使我
為山川言」詩意大畫。作品由三個製作流程循序漸進,首為「鋪陳」,以柔軟的嬰兒藍打底,藝術家一手提筆,一手噴
水,相輔暈染出湖泊及山形的基底色,另以淡黃暈染出恬靜的天光暮色;再來「造景」,在瓷盤上做第二次的暈染,製
造出景深的效果,層層山巒與渺渺靜水忽之欲出;最後「塑情」,藝術家將鈷藍及普魯士藍以乾刷和點筆的方式,為此
山水仙境點上樹叢、孤舟與飛鳥。翩翩揮舞的飛鳥,隱喻流逝的時光。伊人孤舟獨坐,在遼闊的山水天地間,與自己對
話;在山川獨言的景緻中,訴說胸中寧靜致遠的心境

The artist of ARTEPOZA refusing to be constrained by single forms of expression, the poetic Chinese landscape painting concept of “speaking for the mountains and streams” is expressed across 105 porcelain plates. This work passed through three production phases. The first being “elaboration,” which included coloring the background with soft baby blue. The artist painted with one hand while spraying water with the other, creating the base color for lakes and mountains, while the sky was depicted through light yellow colors. The second stage was “landscaping,” where the artist used secondary smudging to create depth, revealing the layers of rolling mountains and calm waters. The last step was “creating sentiments.” The artist applied cobalt and Prussian blue through dry brushing and dotting, adding trees, boats, and birds to the landscape. The soaring birds are a metaphor for fleeting time. Sitting in solitude within the boat and having a dialogue with the self in the vast landscape, this conversation in the midst of the mountains expresses the calm and quietness of the mind.

孤舟獨坐 山川獨言

 

一百零五個瓷盤秩序排列於捲軸中,遠觀,可見山水形態之美;近觀,可窺見中國山水畫中「勾」、「皴」、「擦」、
「染」、「點」的技法。走入山水清暉,走入十里雲霧,POSAMO 設計團隊將如此醉人風情帶入台北冠德鼎捷,為這
於機場捷運線的城市樞紐,為匆匆的旅人們,點綴遼闊的山水情懷。

All 105 plates are arranged on a scroll. Viewed from a distance, the beauty of the mountains is revealed. Close up, viewers can examine different brushwork techniques of delineating, chapping, scraping, dying, and touching.POSAMO team entering the illuminated misty mountains and streams, this breathtaking view is brought to the King of Kings, providing broad, natural vistas for travelers within the airport MRT hub.

孤舟獨坐 山川獨言

 

編輯/創研部 Editor / Creative and Research Department
日期/2016-05-26 Date   / May 26, 2016
 

 

 

 

 

 

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